Music Composers, Authors & Songs

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Whiting, George
536
pressions for string quartet; New York Days and Nights, piano suite, later a symphonic work (first American work to be performed at International Fes­tival of Contemporary Music at Salzburg, 1923); two Symphonies; piano suite El Camino Real; The Aeroplane, for piano, also orchestral score; five Symphonic poems for or­chestra (The Dream Peddler; Moon Trail; Fata Morgana; Fandango; Sierra Morena); Poem for piano and orchestra; Violin Concerto; Violin Sonata; Quartet For Strings; Piano Quintet; Saturday's Child for tenor, soprano and chamber orchestra; The Grim Troubadour for voice and string quartet (last two works based on Countee Cullen poems); ballet Sooner and Later; incidental music for Theatre Cuild Prod, of Eugene O'Neill's Marco Millions; Strollers Symphony (Juilliard Publication Award 1939); also chamber music, song-cycles, and other works for various instrumental groups. Home: Lyme, Conn. Address: c/c ASCAP.
Whiting, George, author, singer, ac­tor; b. Chicago, 111., Aug. 16, 1884; d. Dec. 18, 1943. ASCAP 1926. Educ: Chicago public schools; to New York as cafe entertainer and for many years vaudeville performer. Song writing avocation until decline of vaudeville, when it became his chief interest. Songs: "My Wife's Gone to the Country"; "Every Little Bit Helps"; "Beautiful Eyes ; "Oh What I'd Do for a Girl Like You"; "West of the Great Divide"; "My Blue Heaven"; "Little Black Boy ; "Believe It Beloved"; "Don't Let Your Love Go Wrong"; "I Picked a Flower the Color of Your Eyes"; "Saddle Your Blues"; "Who Told You I Cared?" Address: Estate, c/o ASCAP.
Whiting, Richard A., composer; b. Peoria, 111., Nov. 12, 1891; d. Beverly Hills, Calif., Feb. 10, 1938. ASCAP 1921. Educ: Harvard Military
School, L.A.; natural pianist, largely self-educated in music. Wrote songs for music publisher; then became pro­fessional manager, 1912. To Holly­wood 1928, writing music for films; then in New York wrote musical shows, George White's Scandals, Take A Chance. Songs: "Til We Meet Again"; "Japanese Sandman"; "Sleepy Time Gal"; "Honey"; "She's Funny That Way"; "Beyond the Blue Hori­zon"; "Give Me a Moment, Please"; "One Hour With You"; "Horses Horses"; "When Did You Leave Heaven"; "Louise"; "My Ideal"; "Too Marvelous For Words'; "My Future Just Passed"; "Some Sunday Morn­ing"; "Mammy's Little Coal Black Rose"; "Ukulele Lady"; "I Can't Es­cape From You"; "Ain't We Got Fun"; "You're An Old Smoothie"; "It's Tulip Time In Holland"; "Eadie Was A Lady"; "Waiting At the Gate For Katy"; "On the Good Ship Lolli­pop"; "Breezing Along With the Breeze"; "Guilty"; "Precious"; "I Wonder Where My Lovin' Man Has Gone"; "Love Is On the Air Tonight"; "Along the Way to Waikiki." Address: Estate, c/c ASCAP.
Whitney, Joan, composer, author, singer, music publisher; b. Pittsburgh, Pa., June 26, 1914. ASCAP 1942. Educ.: Winchester and Carnegie Inst, of Technology, Pittsburgh; Finch Col­lege, New York. Started in show business as singer in The Great Show. Then had own show on C.B.S., also recording artist. Member of staff New York music publishing house 1940; formed own music publishing house 1947. Songs: "High on a Windy Hill"; "So You're the One"; "It All Comes Back to Me Now"; "My Sister and I"; "It's Love, Love, Love"; "Candy"; "That's the Beginning of the End"; "Ain't Nobody Here but Us Chickens"; "Money Is the Root of All Evil"; "Comme Ci Comme Ca"; "I Only Saw Him Once"; "Love Somebody"; "Dangerous Dan Mc-